top of page
DeSevigne_C_Nov2021-2.jpg

"The melodic ornamentation articulated in the stratosphere of her instrument

is serenity incarnate."

-Chicago Tribune

 

NEXT ON STAGE

Claire will sing the role of The Mother in Law in Kaija Saariaho, Sofi Oksanen and Aleksi Barrière's Innocence. 

ACCLAIMED BY THE NEW YORK TIMES AS A “MASTERPIECE.”

A work of extraordinary depth, conducted by Clément Mao-Takacs.

 

See here for more; DETAILS

Screen Shot 2024-05-10 at 11.27.04.png

NEWS

"IMG Artists is delighted to welcome soprano Claire de Sévigné to its roster for general management. She will be represented by Artist Manager Isabella Pitman from the company’s London office." Press release

Gallery pic 2.jpg

ALBUM RELEASE

A Celtic Classical Christmas
Claire de Sévigné & Kevin Offord 

An eclectic and quirky rendition of our favourite Christmas carols; mixing both classical and folk singing with traditional Celtic instrumentation.

Purchase and Listen to the album:

 

DISCOVER HERE NOW

IMG_5391.jpg

IN REVIEW

Claire received tremendous success and acclaim in her recent performances of  L'Ange in Saint François d'Assise by Messiaen with the Grand Théâtre de Genève

“Remarkable in every way, soprano Claire de Sévigné (L'Ange) invests her role with a voice that fits perfectly. With a sensitive softness, carried by a perfectly controlled vibrato, her singing mainly expressed in the top of her register underlines the soothing atmosphere that her character spreads. Moving with grace, without theatrical excess, it is a joy to see and hear her.”
-ResMusica, Jacques Schmitt, April 2024. 

“All clarity and grace, the angel of Claire de Sévigné is irresistibly seductive, whether in the light dance movements with which she illuminates her appearances or in the vocal line of a golden tone with infinite breath.” 
-Le Monde, Marie- Aude Roux, April 2024.

READ MORE >

2023-24_GTG_St Francois_generale_20240408_CaroleParodi_web-9186-X2_edited.jpg

IN REVIEW

Carmina Burana with

Chicago's Grant Park Festival

"Claire de Sévigné’s lovely, refined voice made “In Trutina” the ethereal centerpiece it should be... The Canadian soprano displayed surprising reserves of vocal power and flexibility,with a stunning attack on the stratospheric coloratura of the penultimate “Dulcissime.” 

- Chicago Classical Review, Lawrence A. Johnson. 

“Carmina Burana” depends on the strengths of its vocal soloists as well, and in this regard soprano Claire de Sevigne created the most rapturous moments of the night, by far. In “Stetit puella,” her exquisitely shaped tones and radiant upper-register singing very nearly made you forget the orchestral-choral tempests that preceded her. The high notes she floated in “In trutina” and the melodic ornamentation she articulated in the stratosphere of her instrument in “Dulcissime” were serenity incarnate."

-Chicago Tribune, Howard Reich. 

a864b5d1-585a-4a40-8998-b577be4b1266-1.J
bottom of page